Lady Gangster | 1942 | Crime | Film Noir | Drama
Library last generated: 2026-01-08 14:23 LOCAL
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Lady Gangster (1942) "She Didn't Need a Gun to Get What She Wanted – A Gritty Tale of Crime, Cunning, and Redemption"
Director: Robert Florey (credited as Florian Roberts)
Screenplay by: Anthony Coldeway
Based on the Play: "Gangstress, or Women in Prison" by Dorothy Mackaye
Produced by: William Jacobs
Starring:
Faye Emerson as Dorothy "Dot" Burton
Julie Bishop as Myrtle Reed
Frank Wilcox as Kenneth Phillips
Roland Drew as Carey Wells
Jackie Gleason as Wilson (credited as Jackie C. Gleason)
Ruth Ford as Lucy Fenton
Virginia Brissac as Mrs. Stoner
Dorothy Vaughan as Matron Jenkins
Dorothy Adams as Deaf Annie
Vera Lewis as Ma Silsby
Herbert Rawlinson as Lewis Sinton
Charles C. Wilson as Detective
Frank Mayo as Walker
Leah Baird as the Prison Matron
Cinematography: Arthur L. Todd
Editing by: Harold McLernon
Music by: Various contributors
Production Company: Warner Bros. Pictures, Inc.
Release Date: June 6, 1942
Runtime: Approximately 62 minutes
Country: United States
Language: English
Genres: Crime, Film Noir, Drama
Synopsis:
Dorothy "Dot" Burton (Faye Emerson) is an alluring yet resourceful member of a bank-robbing gang. With a mix of charm and clever tactics, she participates in meticulously planned heists.
In one standout burglary, Dot employs a small, ostensibly inconspicuous dog—borrowed from her cohorts—to distract the bank guard, thereby orchestrating an early morning robbery.
However, as the getaway unfolds and the police close in, Dot’s audacious plan unravels. She feigns innocence by fainting, but soon contradictions (like discrepancies in the dog’s identity) cast doubt on her act.
Forced into a confession for her crimes, Dot is sentenced to serve time in a women’s prison. Inside, the harsh reality of confinement brings betrayal to light when a rival inmate informs the authorities that Dot knows the whereabouts of the stolen money, sealing her fate with a loss of parole.
Matters worsen when her former gang plots to eliminate her childhood sweetheart, Kenneth Phillips (Frank Wilcox). Determined not to let injustice prevail, Dot embarks on a daring escape by disguising herself in the warden’s clothes. This sets off a tense sequence where she must navigate treacherous prison politics, reclaim the purloined loot, and ultimately rescue Ken from imminent danger.
Key Themes & Highlights:
Feminine Cunning & Resourcefulness: Dot Burton epitomizes the modern femme fatale. Without relying on brute force, she uses her wits, charm, and calculated ingenuity to manipulate situations—a hallmark of early film noir heroines.
A Heist Turned Catastrophe: The film’s depiction of a meticulously executed bank robbery serves as a catalyst for the ensuing drama. What starts as a clever caper spirals into chaos as hidden faults in the plan reveal the characters’ vulnerabilities.
Betrayal and the Confinement Experience: The women’s prison setting provides a claustrophobic stage for betrayal, where every alliance is tentative. Dot’s ordeal is amplified by the treacherous betrayal that costs her freedom and tests her resilience.
Love, Loyalty, and Redemption: Beyond the criminal intrigue, the film explores themes of loyalty—especially through the relationship with her childhood sweetheart Ken—and the redemptive power of fighting for justice against overwhelming adversity.
Signature Film Noir Aesthetics: With its stark black-and-white visuals, dramatic lighting, and shadow-laden frames, “Lady Gangster” embodies the mood and moral ambiguity characteristic of 1940s film noir while delivering a brisk narrative pace.
Trivia:
Remake Origins: “Lady Gangster” is known as a remake of the pre-Code film Ladies They Talk About (1933)—a reimagining that adapts its source material for wartime sensibilities without sacrificing its provocative narrative.
Early Appearance of a Legend: The film features one of Jackie Gleason’s early screen roles. Credited as Jackie C. Gleason, his supporting performance is a memorable precursor to a long and storied career in entertainment.
Based on Real-Life Inspiration: The play by Dorothy Mackaye, which informed the screenplay, was inspired by the sensationalized accounts of women in prison from the early 20th century—a subject that captivated audiences then and continues to intrigue viewers today.
Memorable Tagline and Promotion: The promotional tagline, “She Didn’t Need a Gun to Get What She Wanted,” encapsulates the film’s focus on subtle manipulation and the power of femininity over overt violence—a notion that resonated with contemporary audiences.
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